Peer Reviewed Articles
“The Walking Woman: Border Representation Beyond Hybridity in Yuri Herrera’s Señales que precederán al fin del mundo.” Romance Quarterly. Accepted with revisions.
“Queer and Feminist Performance.” Latino Literature: An Encyclopedia for Students, edited by Christina Soto van der Plas and Lacie Rae Buckwalter Cunningham, ABC-CLIO Press. 2023. 18 pp.
“Public Grief and Collective Joy: Feminicide, Solidarity, and Feminist Hip Hop in Ciudad Juárez.” For the Culture: Hip-Hop and the Fight for Social Justice, edited by Lakeyta M. Bonnette-Bailey and Adolphus G. Belk, Jr. University of Michigan Press. 2022. 226-239.
“Embodiment Against Borders: Discourses of Crisis and Collaborative Performance Art on the U.S.-Mexico Border Wall.” Arizona Journal of Hispanic Cultural Studies, vol. 24, 2021.
“Movilidad fronteriza en Their Dogs Came with Them de Helena María Viramontes.” Revista Iberoamericana, vol. 84, no. 265, Oct. 2018, pp. 995-1013.
“‘Un espacio al que entramos’: Presencia como resistencia en Precario de Cecilia Vicuña.” Vicuñiana: el arte y la poesía de Cecilia Vicuña, un diálogo sur/norte, edited by Meredith Clark, Cuarto Propio, 2015. pp. 97-121.
Brantmeier, Cindy, Tracy Van Bishop, Xiucheng Yu, and Britta Anderson, “Readings on L2 Reading: Publications in Other Venues 2011–2012.” Reading in a Foreign Language. 24.2. 2012. 256-272.
“The Walking Woman: Border Representation Beyond Hybridity in Yuri Herrera’s Señales que precederán al fin del mundo.” Romance Quarterly. Accepted with revisions.
“Queer and Feminist Performance.” Latino Literature: An Encyclopedia for Students, edited by Christina Soto van der Plas and Lacie Rae Buckwalter Cunningham, ABC-CLIO Press. 2023. 18 pp.
“Public Grief and Collective Joy: Feminicide, Solidarity, and Feminist Hip Hop in Ciudad Juárez.” For the Culture: Hip-Hop and the Fight for Social Justice, edited by Lakeyta M. Bonnette-Bailey and Adolphus G. Belk, Jr. University of Michigan Press. 2022. 226-239.
“Embodiment Against Borders: Discourses of Crisis and Collaborative Performance Art on the U.S.-Mexico Border Wall.” Arizona Journal of Hispanic Cultural Studies, vol. 24, 2021.
“Movilidad fronteriza en Their Dogs Came with Them de Helena María Viramontes.” Revista Iberoamericana, vol. 84, no. 265, Oct. 2018, pp. 995-1013.
“‘Un espacio al que entramos’: Presencia como resistencia en Precario de Cecilia Vicuña.” Vicuñiana: el arte y la poesía de Cecilia Vicuña, un diálogo sur/norte, edited by Meredith Clark, Cuarto Propio, 2015. pp. 97-121.
Brantmeier, Cindy, Tracy Van Bishop, Xiucheng Yu, and Britta Anderson, “Readings on L2 Reading: Publications in Other Venues 2011–2012.” Reading in a Foreign Language. 24.2. 2012. 256-272.